Showing posts with label rental labs. Show all posts
Showing posts with label rental labs. Show all posts

Wednesday, August 6, 2014

Supplies

Required course supplies & materials 

In order to complete assignments and participate in lab activities, you'll need to get some supplies.  These should be obtainable at the Fremont bookstore, or any of the resources listed in my other blog post: resources & rental labs.

Students usually spend $150-200 on supplies, not including camera or textbook.  Students can save cash by planning ahead and shopping around for the best deal.  They can also save by teaming up with classmates to buy bulk quantities.  Student discounts are offered at some stores.

Students can also save a lot of money by using good methods in class.  By paying attention, concentrating and coming prepared students can avoid wasted supplies (i.e. doing the reading, taking notes, not rushing).  Students who take these steps can do all the classwork and more without having to buy an excess of film and paper.

Below is the supply list from class.  I've created some links to examples.  I am not promoting one supplier over another and these may not be the best prices.  It is your job to shop around.  


1. Camera

You will need a minimum of 14 rolls of film.  
Take care not to purchase c-41 process film (that's color film - examples).
  • 12 rolls will be 35mm film with 36 exposures 
  • 2 rolls will be 120mm, medium format film. 
Three reliable brands of film are:
  1. Kodak Tri-X 400 ISO - examples
  2. Ilford HP5 Plus 400 ISO - examples
  3. Arista EDU Ultra 400 ISO - examples

3. Photographic paper

The photographic paper is sensitive to light.  Don't open it until you are in the darkroom under special lights.  If you open it in regular light it will be ruined.  

Here's the basics on paper (example):

And here's the explanation of photo paper...

Quantity
Most students use at least 100 sheets of paper in the semester.  Some previous students say that 125-150 is about what they used.  A few students (those who do careful work) said they used about 80-90 sheets of paper.  You'll need photo paper in the first week.  If you are planning to order online, you might need to buy a small pack from the bookstore or borrow some from a classmate.  

Size
Most assignments require that prints be 8x10 inches or larger.  You are welcome to buy smaller paper for your own personal use.  You can also cut 8x10 inch paper to size.  

Brand
There's lots of brands of photo paper, but I am recommending Ilford brand because it is very reliable and I've never had any problem with it.  This will also ensure a consistency of workflow in the darkroom.  

Variable contrast
When paper says variable contrast, it simply means that you can use different colored light to change change the contrast (the contrast is variable).  Another way to say that is "multi-grade," meaning the paper is able to render multiple grades of contrast.  VC, or MG, paper is the most common type these days, but some paper has only the capacity for one grade of contrast (it will be called "graded").

Resin Coated (RC)
There are two main types of paper backing available today.  One is "fiber" or FB, and the other is "resin coated" or RC.  RC paper is the type we'll use in class.  It has a resin coating on front and back, which makes it slightly waterproof.  It has faster processing times and shorter wash times.  

133B students are encouraged to transition to fiber paper.  Fiber paper has a heavier weight and a more organic feel to it.  Historically, fiber paper has been regarded as the standard for galleries and museums due to it's superior quality and silver content.  Wether that still rings true is now questionable.  It is now more common to see RC paper in these settings, but I think it is well worth your time to learn how to use it.  It does cost a bit more and takes longer to process.  Wash times are considerably longer (with more steps) so you need to be efficient and manage your time well at end of lab.  This product will not be available in the bookstore but will be available from any other supplier on the list.

Surface for RC paper
There's lots of different surfaces for RC paper.  For RC, I recommend "pearl" surface.  It's not quite glossy and not quite matte.  It's easy to work with and doesn't show finger smudges as much.  It's easier to "spot" than glossy.  However, if you are set on getting glossy surface paper, it's fine with me.

Surface for fiber paper
For fiber paper, the only I recommend is glossy (at this time in your learning process).  The glossy fiber paper is not the same as glossy RC.  It has a nice smooth sheen and is easy to work with.  Other surfaces, like matte, are really hard to work with, so I do not recommend it until you have some experience with fiber papers in general.  

4. Negative storage pages 

Negative storage pages are plastic sheets that protect and organize your film.  There are several types out there, and my favorite is CP-7HB.   It costs a little more, but has an extra pocket to keep your contact sheet together with the negatives.  For your 35mm film, it's best to get the ones that fit negatives 5 across and 7 down because it will fit in a standard binder.  You will need one sleeve for each roll of film.  The bookstore will sell single sleeves to fit 120 film.  

5. Binder or binder box for negatives

Dust is the photographers enemy, especially on your negatives.  One of the best things you can do to avoid dust on your negatives is to store your negative sleeves in a binder separate from your regular notebook.  I also like to use a "binder box" because it seals the edges of the binder.  You can achieve a similar level of protection with a clean plastic bag around your binder, or just be careful to keep it clean.  


6. Large paper folder, envelope or bag to turn in projects.

All your photographic projects need to be turned in using some kind of portfolio package, like an appropriately fitted bag, folder or envelope.  This helps to keep your work clean, organized (so your prints don't get mixed up or lost) and to make it easy for me to move them around.  The envelope is a requirement of the assignments.  You can make your own by purchasing some heavy paper in the bookstore and taping the sides.  If you want a professional style presentation box, here's an example from Freestyle.

7. At least 2, 8x10” sheets of cardboard or thick black card stock

You need to get this cardboard during week 1 for the lab activity on Thursday.  YOU NEED THIS.  Please don't blow it off.  It's so easy to grab an old box from the recycling.  

8. A towel to donate to the darkroom

We use towels in the darkroom to dry equipment at the end of the day.  Each student brings one to leave in the darkroom.  It won't be usable at home anymore, so I recommend just bringing an old one.  Please make sure it's clean though.  

9. Basic school supplies

You'll need basic school supplies for taking notes.  You need to bring these every day.  You'll also need a Sharpie marker for one lab and to write your name on your stuff.  

10. Gloves

Gloves are mandatory for film processing.  Anyone caught without gloves is in violation of safety rules and will be required to leave immediately (even if you are in the middle of film processing).  Nitrile gloves provide the highest level of protection and are recommended.  They can be found at most drugstores.  Example at Walgreens.

11. A small, thick walled cardboard box or tin for an assignment.

One of our labs will involve making your own camera out of a box.  It's best that it be small, like less than 5-10 inches.  They can be very small, like 2 inches if you want.  It needs to have thick walls to block out light, or be painted black.  Look around and try to find some interesting boxes to use.  A mint tin will work, also try cell phone boxes, or shoe boxes.  You can build a box if you want.  See the schedule for the due date on this item.  

12. Presentation supplies

Most of the photographic assignments will be matted.  To do that, you'll need the following supplies.
  • 20 sheets of 11x14 inch size mat board - examples
  • a pack of at least 80 photo corners - examples
  • linen tape, minimum of 5 feet total - examples
  • Pencil

13. Optional Supplies

The following supplies are optional, but can be fun and useful.


Have more questions about these supplies?  Post a comment below.




Friday, August 1, 2014

Resources & rental labs

Resources & labs 

It’s pretty easy for you to find everything you need at the bookstore.  However, shopping around is a good way to get the best price and find a broader selection. 

I am not promoting any one source over another, as there are reasons to choose each one.  For my own work, I buy supplies from several different sources.  Sometimes I buy locally, sometimes from several different online sources. 

If you miss class, or you want more darkroom time, you may also want to visit a rental lab. Those are listed toward the end.  If you visit a rental darkroom, please remember that the rules might be different there.  Be respectful and ask for help getting oriented.  

Always ask for a student discount, even if you think you won't get it.  Bring your syllabus, supply list and student ID, just in case they ask for it.

Here’s a few places I recommend to you:


B&H Photography

B&H is a large supply house geared toward the professional.  They have a vast selection of photography supplies, cameras and gear.  They also carry audio/visual, computers, lighting equipment, etc.  The website is fairly easy to navigate and search for most supplies.  Use your supply list to search for key words. 

B&H is pretty consistent about delivering within 5 days, but they are closed for Jewish holidays so plan ahead.  Here’s the address:  http://www.bhphotovideo.com/


Freestyle Photography

Freestyle Photography is geared more toward education and individual artists.  They have a lot of options for lower cost products, how-to pages, and allow instructors to post supply lists. 

The website can be a little difficult to navigate if you don’t know the right search terms.  While I'm not suggesting you should choose Freestyle over other sources, I did post a supply page for recommended products.  This can make your shopping a little easier.  Simply go to the “Students & Educators” page and search for the supply list. 

Deliveries from usually L.A. take 2-3 days.  Be sure to estimate delivery time if you are on a deadline. Here’s the web address: http://www.freestylephoto.biz/


Keeble and Shuchat

Keeble and Shuchat is a local store where you can find everything you need.  There are two stores in Palo Alto, on either side of the same street.

On one side, you’ll find the used camera department.  It can be a good place to find a deal, but you should be prepared with a clear idea of what you want and need.

On the other side of the street, you’ll find a large selection of new cameras, camera bags, tripods and the darkroom supply section.  Darkroom stuff is upstairs and they are helpful about getting you everything you need.  Bring your supply list and ask someone to help you find stuff.  They will know what to do.

Here’s the address: 261 South California Ave., Palo Alto, (2 stores)
- http://kspphoto.com/


Bear Images

I’ve not had the pleasure to go to Bear Images but my other teaching buddies tell me they are great.  417 Lambert Avenue, Palo Alto, 650-321-2327 - http://www.bearimages.com/


KEH

Keh.com is a great place to look for used gear.  They have a pretty straight-forward rating system and good prices.  Unlike other used camera options (like ebay) you get a guarantee that the camera will be as rated.  I’ve had good experiences with all my purchases.  However, you do need to know what you are looking for.

I recommend you contact customer service for help if you have any uncertainties and make your first purchase over the phone: http://www.keh.com/


Looking Glass

Looking Glass is a local place for supplies and a rental lab.  I haven’t printed there because I have my own darkroom, but I’ve heard great things from my students. The price is great at only $6 per hour. 

You need to have a strong knowledge of working in the darkroom and being respectful of darkroom etiquette to go to any rental lab.  Don’t show up and expect them to help you like you are in class.  Also be prepared to figure out new equipment because the enlargers are not the same models as we have.

Looking Glass: 1045 Ashby Avenue, Berkeley CA, 510-548-6888.
Monday-Friday 9-8, Saturday 10-6, Sunday 10-4
http://www.lookingglassphoto.com/


PhotoCentral

PhotoCentral is the closest rental lab to campus.  Students have told me it’s a great place to go and that they are friendly to students.  The pictures of the darkroom are really beautiful. 

However, it’s only open Mondays 5-10pm.  If your assignment is due on a Tuesday, I don’t recommend waiting until Monday night to start working on it! 

Photo Central: 
1099 E Street, Hayward, California 94541 http://www.photocentral.org/facility.html


Rayko Photo Center

This is one of my favorite spots in SF.  If you are ever in San Francisco, Rayko Photo Center is a must see destination (a short walk from Bart).

They have a huge gallery and sales room hosting local artists.  They also have rental darkrooms, classes, digital labs and stuff to buy.  Gallery receptions are always fun and well attended.  The website often features opportunities for shows.

Like other labs, you are expected to know what you are doing and be respectful.  The practices might be different from how we work in our lab.  I recommend asking for an orientation to avoid any problems. 

Rayko Photo Center: 428 3rd Street, San Francisco, http://raykophoto.com/


Do you know about other rental labs in the bay area? 

Let me know and I'll see about adding to the list in future semesters.