Tuesday, September 27, 2016

Looking at a Camera Lucida

Most of you have heard of a camera obscura before.  It's that pre-photographic tool that was used to make accurate drawings in the days before photography.  But what is a camera lucida and how is it different from a camera obscura?

Well, a camera obscura is a device that is basically a darkened room.  That's where it gets the name.  Camera comes from the latin word for room or chamber, and obscura comes from the latin word for darkened.  So a camera obscura is a darkened room.

Lucida is a word that comes from the latin word for bright or light.  And so, a camera lucida is a room that is bright and lucid.  That's because it can be used without being in the dark.  So a camera obscura and a camera lucida are completely different.  They really don't have any relationship except that they are both pre-photographic tools that are used to make accurate drawings in the days before photography.




The camera lucida was invented in the early 1800s.  It was was used by scientists, artists and travelers to get a very accurate drawing of the world.  Back then, if someone wanted a picture of something they saw, they had to draw it because photography wasn't invented yet.

A camera lucida works by creating a kind of superimposed image over the top of the drawing paper.  It isn't a projection, it just kind of looks like it.  A person looks through a prism to see both an image of the drawing paper and an image of their subject at the same time.  Then all they have to do is trace what they see and the picture looks pretty good.

I just posted a new video of a camera lucida in action.

Enjoy!


Sunday, September 18, 2016

Film or Digital? Why not both!

Ever since the arrival of digital media, there has been a debate about whether to use film or digital.  But is doesn't have to be just one or the other.  In fact, many professional photographers are enjoying a combination of both methods!

Film capture and digital output allows a photographer to enjoy all the unique color traits of film photography, without sacrificing the advanced editing that digital methods allow.  The film can be scanned at a high resolution to create a quality digital file.  The file can then be edited and shared in the virtual world or it can be sent for digital printing.  

Film photographs keep their natural color beauty when scanned.


Though there is a larger investment in each piece of film, the overall cost can be lower for the film/digital workflow.  Digital cameras are in constant need of replacing, whereas a film camera will continue to work with little maintenance for a lifetime.  

Film to digital is also an economical option for photographers using medium or large format.  Medium format or large format digital backs for cameras are too costly for most artists, and even most professionals.  By using film capture, a photographer can continue to enjoy all the detail of the larger capture area, without having to spend $20-$50 grand at B&H.

Hasselblad H5D-200c Multi-Shot Medium Format DSLR Camera Body B&H # HAH5D200CMS MFR # H-3013708https://www.bhphotovideo.com/c/product/1078381-REG/hasselblad_3013708_h5d_200c_ms_digital_camera.html

By keeping the film, the photographer has a highly stable, archival back-up storage method.  This is much more reliable than a digital only workflow.  With digital, there is a constant fear of programming failure and aging.  A damaged or outdated digital file is often unrecoverable, but a scratched negative can still be saved.  

Want to know more about scanning?
I recently finished a demo on film scanning with the Epson 750 scanner.  Enjoy!



Absentee blogger

So, you've been checking the site and wondering where the Photo Teacher Blogger has been?

I've been taking some time off blogging to work on my YouTube channel!

I'll still be posting some things here as supplements to my course website and videos.

Check back soon for more!

Saturday, May 7, 2016

Learn the VIEW CAMERA at CCSF!

This fall semester, I'll be teaching View Camera again at CCSF.  It's on Saturday afternoons.

This is a great class for students who have taken a darkroom class before, and want to expand their knowledge of photography.  The view camera is a very versatile tool, and a must for those who want to continue with a career in photography.

Some of the benefits of the view camera:
  • Film based - no digital capture 
  • Large format film records more detail.  
  • You can process one picture at a time for more control
  • Ability to control the placement plane of focus
  • Ability to control perspective and distortion
  • Easily create multi-exposure pictures
  • Optical tricks - disappear in the mirror
  • Get an instant print with an Fuji instant film back.
  • Cool factor - you'll look great sporting one of these cameras!

Friday, January 22, 2016

Enroll in Black and White Photography!

Learn  Black & White
Photography


In a great new lab with cameras to borrow all semester!


There are several open slots in my Black and White class on Tuesday and Thursday nights.  Come join us!  We have 35mm cameras to borrow the whole semester, and a great new lab at Fremont campus.  It's a great class for working adults, and anyone wanting to explore the darkroom.

You can drop by for more information Tuesday January 26th 3-6, or you can sit in on the class 6:30-9:40pm.  We get into the darkroom for some fun day two.

Visit Ohlone.edu for enrollment information.  Here's your options:

Black & White photography (ART-133A-2) 064835
This traditional photography class is great for beginners.  You will learn how to use film cameras, process film by hand and to make black and white prints in the darkroom.  

Intermediate Black & White photography (ART-133B-2) 064837
For students who have completed 133A, this class includes more technical instruction, and more freedom toward your artistic goals.  

Advanced Black & White photography (ART-133C-2) 064838
This course is for students who have completed 133A and 133B.  The course includes even more opportunities to refine your technical skills.

Friday, December 11, 2015

Photography class = employable skills?

As the semester comes to an end, do you ever wonder if all that film processing was worth it?  I mean, if everyone does digital now, what's the point?

Well, there are lots of good answers.  First, film offers you control over every aspect of your image.  You decide exactly how you want it to look, then use your skills to make it happen.  You are not relying on automatic functions and filters.  Your photographs will not look like the many other people that bought the same DSLR.  Your photographs will reflect the physical action of your hand in exposure, processing and printing.

There are also lots of arguments about quality and longevity.  Digital files are not as stable as film, and there is a big risk in that.   Film that becomes damaged may still give an image, but a digital file is often  completely lost.  Quality is another factor.  Film is superior in quality to any digital sensor of equal size. Cost, while seeming more at first, is actually less expensive.  You can use the same film camera for decades, while a digital camera expires in only a few years.  And, digital backs for large format cameras are way too expensive!

Now, you're wondering if film photography will give you any employable skills.  The answer is, YES! I recently came across this very tempting opportunity for a large format photographer.  It's pretty much a dream job, and only those with view camera skills can do it!

So, View Camera class, do you think you've learned enough to try a job like this?  I've shown you all the skills you need, and the rest is up to you.


http://phogotraphy.com/2015/12/08/national-park-service-100000-job-opening/


CCSF: printers down

Hi View Camera Class,

I just found out that PK1 is down and that only leaves one 4800 printer.  If you are planning to digitally print your final portfolio, I strongly suggest coming in today because tomorrow may be quite busy with just one printer.


Also:  The morning class has priority for both printing and darkroom from 10-12:30am.  Please plan accordingly.


Monday, December 7, 2015

Ohlone: Time to register!

Learn  Black & White
Photography


In a great new lab with cameras to borrow all semester!


Black & White photography (ART-133A)
This traditional photography class is great for beginners.  You will learn how to use film cameras, process film by hand and to make black and white prints in the darkroom. 

Intermediate Black & White photography (ART-133B)
For students who have completed 133A, this class includes more technical instruction, and more freedom toward your artistic goals. 

Advanced Black & White photography (ART-133C)
This course is for students who have completed 133A and 133B.  The course includes even more opportunities to refine your technical skills.

Lab for Black & White photography students (ART-133L)
Join this lab for extra work time and instructor guidance.  Tuesdays 3:00-6:00.  Recommended for all B&W photography students.  Must co-enroll in a BW photo class.  


Sunday, December 6, 2015

Opportunity: extended deadline for contest from pfmagazine.com


You've got the photographs, you've learned about creating a digital portfolio.  Are you ready to try a a photography contest from Photographers Forum Magazine?




http://pfmagazine.com/photography-contests/


Image Specifications:
  • Image Size should have a long dimension of at least 1000 pixels and no more than 3000 pixels
  • Save file as (JPG) with maximum quality.
  • Color Space should be Adobe1998, sRGB or untagged color space.
  • File Size should be no more than 4 Mb
  • All Uploaded Entries are FINAL and Cannot be Replaced, Deleted or Edited by Photographer's Forum Magazine

Friday, December 4, 2015

CCSF: Reminders for Saturday

Hi all,

This is a reminder that tomorrow we are meeting in the photography lab.  We'll start with open work time until 2:50.  You can get started early and I'll tour the facility and take roll.  I'll also meet with you individually for help with your work.

No later than 3:00 sharp, we'll meet in the digital editing lab for peer review of project 6 and feedback on your portfolio progress.  I can't wait to see what you're up to.

See you!


Tuesday, December 1, 2015

CCSF: Scholarship and Exhibition due Saturday!

$500
Yefim Cherkis Scholarship
All current CCSF Photography students are eligible



 

o   To be considered, please submit an exhibition-quality (need not be mounted) portfolio of 10-12 prints to Steven Raskin in V174. Portfolios may also be left with any Lab Supervisor on duty.
o   Prints may be color or black & white, digital, analog or alternative processes, fine-art or commercial.
o   The winning entry will be exhibited in the Gallery Obscura; exhibition-ready work (mounted) will be required at that time.
o   The winning student will be invited to donate one print to the Photography Department’s growing archive of student work.
o   Portfolios are due by lab closing time on Dec 5, 2015 and must include a brief artist’s statement as well as your name and contact info.

o   Inquiries may be sent to sraskin@ccsf.edu

Monday, November 23, 2015

Exhibition opportunity: Postcards from the Edge

The following is a great exhibition opportunity for a good cause.  It's one of those shows where you donate a work of art to support the charity.  I've done it myself!

Direct link: http://us1.campaign-archive1.com/?u=c9164d5fc1da60b77cbacaa9b&id=8cb33eb0f2&e=df81d8e22c

PFTE Postmark Deadline - December 7th
POSTCARDS FROM THE EDGE - POSTMARK DEADLINE FOR ARTWORK IS TWO WEEKS FROM TODAY!

If you've already sent us an artwork for Postcards from the Edge, thank you!  If you haven't and you would like to participate, this is just a gentle reminder that the POSTMARK DEADLINE is Monday, December 7th. If you are hand delivering your artwork to our office or sending via a messenger or other delivery service, it can be received in our office up until Friday, December 11th.
EVENT DETAILS:
Hosted by
Sikkema Jenkins & Co.
Preview Party: Friday, January 29, 6-8 PM
Benefit Sale: January 30-31, 2016

Here’s how to participate:

1. Create an original artwork on any 4”x6” heavy weight paper. Drawings, photographs, paintings, printmaking, and mixed media are welcome. ONE ENTRY per artist.

2. Sign and Print Name on BACK ONLY. Indicate the top with an arrow.

3. Complete Submission Forms for Collector and Visual AIDS. Download at https://www.visualaids.org/projects/detail/pfte-artists-wanted

4. Carefully package artwork. Recommended: wrap artwork in wax paper and place between cardboard. Do not submit charcoal or pastel pieces without fixing them. Do not wrap wet or sticky artwork.

5. If you need confirmation that we received your artwork, include a self-addressed, stamped postcard.

6. If you would like your unsold work returned, please include a 6”x 9” self-addressed, stamped envelope with proper postage. Unsold artwork will NOT be returned unless a self-addressed stamped envelope is enclosed. Visual AIDS is not responsible for artwork lost or damaged in the mail.

7. Mail your artwork and forms to:
            Visual AIDS
            526 West 26th Street, #510
            New York, NY 10001

DEADLINE: Monday, December 7, 2015 (postmark date)

Postcards from the Edge is a unique benefit show and sale of original, postcard-size artworks on paper by established and emerging artists. All artwork is exhibited anonymously, and the identity of the artist is revealed only after the work is purchased. Details at https://www.visualaids.org/projects/detail/pfte-artists-wanted

Proceeds benefit Visual AIDS. Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists and preserving a legacy – because AIDS IS NOT OVER. For examples of our work and more information, visit https://www.visualaids.org/Thank you!

Thanks to:
               
Image Credit: Steven Rosen Photography, 2015



Copyright © 2015 Visual AIDS, All rights reserved.

CCSF: photo paper sale

Hi CCSF photographers!

I have a limited supply of Ilford VC RC 8x10 paper in pearl surface for sale today and tuesday during my supervisor shifts.  It is $0.60 per sheet.  Please bring cash only, and you need to bring an old photo paper box with black bag to put it in.  Only available as supplies last.


Update:  I will also have some 11x14" Ilford VC FB for $1.40/sheet (normally $2/sheeet).  I'm only bringing a limited supply Tuesday, but I have about 250 sheets back in my darkroom I am happy to bring.  You need a black bag & box, or to use it immediately, as I have no extra boxes.

Friday, November 20, 2015

CCSF: Guest blogger Lina and exhibition opportunity

Our classmate Lina Zhu has been ambitiously working to bring this opportunity to you. Please read the details below and respond as soon as possible to be included!

Phot 83: Student Exhibition Opportunity at 5 Sweets!

Greetings to my fellow classmates,
A local café called 5 Sweets just opened recently by the City College campus and it needs artwork to display on its walls! I talked with the owner and offered to organize an exhibit of photography from our View Camera class. Participation in this exhibit is totally optional, but I believe it will be a fun opportunity to show off the hard work you have put into this class over the past few months. The basic requirements are:

    One 8x10” black and white print of your choosing (taken using a view camera)
    Matted to fit an 11x14” frame
    Your name, the title or location of the image if applicable, printing method
    Some money (under $20) to contribute towards purchasing a frame that you will be able to keep

Hopefully, preparing the final portfolio will already help you to make a print for exhibition. I would like to gauge interest and confirm with the owner as soon as possible. Please email me if you are interested: linazhu11@gmail.com


Thursday, November 19, 2015

Ohlone: Student feature

Assignment 3 feature:  Students chose between a theme of Americana or Documentary.  All 8-10 traditional black and white prints were meticulously printed, spotted and matted right here in our Ohlone lab.








Amanda Cash

Amanda Cash

Amanda Cash

Amanda Cash

Amanda Cash

Amanda Cash

Amanda Cash

Christopher Magallanes


Christopher Magallanes

Christopher Magallanes

Christopher Magallanes

Christopher Magallanes

Christopher Magallanes

Christopher Magallanes

Christopher Magallanes

Christina Cosce

Christina Cosce

Christina Cosce

Christina Cosce

Christina Cosce

Christina Cosce

Christina Cosce

Christina Cosce

Rajeev Bhayro

Rajeev Bhayro

Rajeev Bhayro

Rajeev Bhayro

Rajeev Bhayro

Rajeev Bhayro

Rajeev Bhayro

Sherie Robino

Sherie Robino

Sherie Robino

Sherie Robino

Sherie Robino

Sherie Robino

Sherie Robino

Sherie Robino


Sophia De Young

Sophia De Young


Sophia De Young

Sophia De Young

Sophia De Young

Sophia De Young


Sophia De Young

Junessa Segundino is our resident intermediate student.  She chose to design her own project using a medium format, twin lens camera.  She made multiple exposures on each frame to layer the images together.

Junessa Segundino


Junessa Segundino

Junessa Segundino

Junessa Segundino

Junessa Segundino

Junessa Segundino

Junessa Segundino

Junessa Segundino